'The last place I saw myself was you'
We believe his work appeals to others because so many of us, at one time or another, are forced to confront who we really are. We can hide behind a facade for so much of the time but every now and then, inadvertently, we let our true selves show. Kerrecoe expertly taps into the insecurity, the unsettling fear that we are not actually in control of our selves, of our identities.....of who we really are.
'Bad robot_hiding'
'The Code' series of paintings, started in 2004, uses a complex language of abstract colour and pattern, designed to convey Kerrecoe's internal conflict to balance his genetically produced instincts with his sense of 'free-will'.
'Identikit'
'The Code' series of paintings, started in 2004, uses
a complex language of abstract colour and pattern,
designed to convey Kerrecoe's internal conflict to
balance his genetically produced instincts with his
sense of 'free-will'.
'Finds hands, feeds self'
He seems driven by a desire to understand who he is and what makes him that person. Is he little more than a machine, programmed to function in an extremely specific way? Is his identity just an elaborate illusion, the result of billions of chemical reactions?
'Bloodlines 3'
Kerrecoes' work, frequently abstract, invariably focuses on the concept of identity. He seems driven by a desire to understand who he is and what makes him that person. Is he little more than a machine, programmed to function in an extremely specific way? Is his identity just an elaborate illusion, the result of billions of chemical reactions?
'Bloodlines 1'
Kerrecoe expertly taps into the insecurity, the
unsettling fear that we are not actually in control
of our selves, of our identities.....of who we really
are. He seems driven by a desire to understand who he
is and what makes him that person. Is he little more
than a machine, programmed to function in an
extremely specific way? Is his identity just an
elaborate illusion, the result of billions of
chemical reactions?
'Symbiosis'
This piece was the first prize in a competition in Art London Magazine, Summer 2008
'Noise 3'
Kerrecoe expertly taps into the insecurity, the unsettling fear that we are not actually in control of our selves, of our identities.....of who we really are. He seems driven by a desire to understand who he is and what makes him that person. Is he little more than a machine, programmed to function in an extremely specific way? Is his identity just an elaborate illusion, the result of billions of chemical reactions?
'Little monster'
Kerrecoes' work, frequently abstract, invariably focuses on the concept of identity. 'The Code' series of paintings, started in 2004, uses a complex language of abstract colour and pattern, designed to convey Kerrecoe's internal conflict to balance his genetically produced instincts with his sense of 'free-will'.
'Grey & distant allusions'
This piece was created specially for 'A Series of Lines', shown at Worcester City Museum & Art Gallery in 2008. Kerrecoes' work, frequently abstract, invariably focuses on the concept of identity. 'The Code' series of paintings, started in 2004, uses a complex language of abstract colour and pattern, designed to convey Kerrecoe's internal conflict to balance his genetically produced instincts with his sense of 'free-will'.
'Blame it on the falling sky'
This piece was created for 'White Noise' and shown by Atelier EAST at Angles Theatre in 2007. This piece was featured in 'A Series of Lines', shown at Worcester City Museum & Art Gallery in 2008. Kerrecoes' work, frequently abstract, invariably focuses on the concept of identity. 'The Code' series of paintings, started in 2004, uses a complex language of abstract colour and pattern, designed to convey Kerrecoe's internal conflict to balance his genetically produced instincts with his sense of 'free-will'.
'Narcissus sucks'
Kerrecoe expertly taps into the insecurity, the unsettling fear that we are not actually in control of our selves, of our identities.....of who we really are. He seems driven by a desire to understand who he is and what makes him that person. Is he little more than a machine, programmed to function in an extremely specific way? Is his identity just an elaborate illusion, the result of billions of chemical reactions?
'If I could be anyone else in the world'
This piece was created for 'White Noise' and shown by Atelier EAST at Angles Theatre in 2007. Kerrecoes' work, frequently abstract, invariably focuses on the concept of identity. 'The Code' series of paintings, started in 2004, uses a complex language of abstract colour and pattern, designed to convey Kerrecoe's internal conflict to balance his genetically produced instincts with his sense of 'free-will'.
'Just keep running faster and faster'
This piece was created for 'White Noise' and shown by Atelier EAST at Angles Theatre in 2007. Kerrecoes' work, frequently abstract, invariably focuses on the concept of identity. 'The Code' series of paintings, started in 2004, uses a complex language of abstract colour and pattern, designed to convey Kerrecoe's internal conflict to balance his genetically produced instincts with his sense of 'free-will'.
I keep falling over, I keep passing out'
This piece was created for 'White Noise' and shown by Atelier EAST at Angles Theatre in 2007. Kerrecoes' work, frequently abstract, invariably focuses on the concept of identity. He seems driven by a desire to understand who he is and what makes him that person. Is he little more than a machine, programmed to function in an extremely specific way? Is his identity just an elaborate illusion, the result of billions of chemical reactions?
'Noise 2'
Kerrecoes' work, frequently abstract, invariably
focuses on the concept of identity. He seems driven
by a desire to understand who he is and what makes
him that person. Is he little more than a machine,
programmed to function in an extremely specific way?
Is his identity just an elaborate illusion, the
result of billions of chemical reactions?
'Tourniquet (diptych)'
'The Code' series of paintings, started in 2004, uses
a complex language of abstract colour and pattern,
designed to convey Kerrecoe's internal conflict to
balance his genetically produced instincts with his
sense of 'free-will'.
'Tourniquet'
Kerrecoes' work, frequently abstract, invariably focuses on the concept of identity. 'The Code' series of paintings, started in 2004, uses a complex language of abstract colour and pattern, designed to convey Kerrecoe's internal conflict to balance his genetically produced instincts with his sense of 'free-will'.
'Exposed'
This piece was featured in 'A Series of Lines' and
shown at Worcester City Museum & Art Gallery in
2008. 'The Code' series of paintings, started in
2004, uses a complex language of abstract colour and
pattern, designed to convey Kerrecoe's internal
conflict to balance his genetically produced
instincts with his sense of 'free-will'.
'The calm before...'
This piece was featured in 'A Series of Lines' and shown at Worcester City Museum & Art Gallery in 2008. Kerrecoe seems driven by a desire to understand who he is and what makes him that person. Is he little more than a machine, programmed to function in an extremely specific way? Is his identity just an elaborate illusion, the result of billions of chemical reactions?
'Red versus silver'
'The Code' series of paintings, started in 2004, uses
a complex language of abstract colour and pattern,
designed to convey Kerrecoe's internal conflict to
balance his genetically produced instincts with his
sense of 'free-will'.
'Servant'
Kerrecoe expertly taps into the insecurity, the
unsettling fear that we are not actually in control
of our selves, of our identities.....of who we really
are.
Many of Craig's paintings, including this one, are
available as affordable, open edition prints in
various sizes. Click
here for details.
'Dance with me'
'The Code' series of paintings, started in 2004, uses a complex language of abstract colour and pattern, designed to convey Kerrecoe's internal conflict to balance his genetically produced instincts with his sense of 'free-will'. We believe his work appeals to others because so many of us, at one time or another, are forced to confront who we really are. We can hide behind a facade for so much of the time but every now and then, inadvertently, we let our true selves show.
'Noise'
Kerrecoes' work, frequently abstract, invariably
focuses on the concept of identity. He seems driven
by a desire to understand who he is and what makes
him that person. Is he little more than a machine,
programmed to function in an extremely specific way?
Is his identity just an elaborate illusion, the
result of billions of chemical reactions?
